![]() It undercuts the viewer (or player) from the experience, reminding us that this is all silly and meaningless. What should be the most endearing moment in the film's denouement is obliterated by Joy's lack of authenticity, reminding the audience that true tenderness and vulnerability are ultimately uninteresting. In a film that otherwise sidesteps twee dialogue and "Whedonesque" writing, it's as if its place in the popular genre makes it so the writers cannot help themselves. ![]() Spearing the moment's sincerity, Joy says: "Oh god, now I feel so awkward. Joy and her mother Evelyn share a real moment of tenderness and vulnerability near the end of the film, where outside of the many absurd universes they are together alone, momentarily speaking mother to daughter beneath the half-darkness of a poorly lit laundromat. It attempts to be a touchstone of geeky interests, packing subjects such as time travel, alternate universes, and superpowers into a grand package fastened by real human plights and lots of heart. The 2022 film Everything, Everywhere, All At Once is a titanic example of popular metafiction mostly divorced from the superhero genre that still borrows heavily from nerd convention. Characters are no longer speaking with sincerity or authenticity, instead punctuating moments of impact and melodrama with half-hearted attempts at lazy humor that ultimately don't carry any meaningful weight. While twee writing has often been a core tenet of the "sound" of science-fiction and fantasy dialogue, audiences falling out of love with the quippy one-liners and idiosyncratic awkwardness of the Marvel Cinematic Universe have begun to see its long-lasting effects on media of all kinds. What once was popular in nerd culture has altered considerably as more and more people have justified the existence of genre and its merits-characters no longer need to talk as they did in Buffy the Vampire Slayer in order to be effective or beloved. Over the last few years, writing trends in popular media have changed quite a bit. A recently released game has become the subject of arguments on writing quality, perception, context, and preference. The Thorn Of Popular Conventionĭiscussions over writing quality have been rampant as of late. While it lends itself to being humorous and "cringe," the scene is an essential touchstone in Final Fantasy X's entire plot. Fans have argued in favor of the scene, defending its place and the sincerity of its characters. ![]() Some have used it as a negative example of the game's voice acting, arguing that its quality is uneven and campy. ![]() In the twenty-plus years since Final Fantasy X's release, this scene has been referenced in and out of context in every conceivable fashion. "I want my journey to be full of laughter," Yuna says. Yuna eventually joins him and they laugh together. All of them know something about Yuna's journey that Tidus doesn't-it profoundly colors the scene in repeat playthroughs. He attempts to take Yuna's advice and laughs awkwardly and ridiculously as the camera pans over the remaining party, their faces in disbelief. Yuna tells Tidus that summoners and their guardians are Spira's "ray of light." She confesses that she's learned to practice smiling when she's feeling sad and tells a forlorn Tidus that she knows how hard it is. It's a moment between Tidus and Yuna in Final Fantasy X.Īfter defeating (or losing to) the Luca Goers and rescuing Yuna from an attempted kidnapping, there is a moment of levity between the protagonist and the deuteragonist. It has become a fixed moment of internet memeification the arguments it has spawned have become legendary in their own right. An infamous moment in video game history has been subject to equal parts praise and ridicule since its appearance.
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